Get Paid to Write at Home
We cannot enter upon, much less solve, this question by ourselves we shall therefore quote the opinions of several writers upon this subject. Truth, having Unity for its criterion, the agreement of various conclusions in one point will he a valuable guide for us. All these writers, starting from very different points, agree in their conclusions, and this gives us a strong argument in favour of the truth of their inquiries.
THE pathology of the poet says that the undevout astronomer is mad the pathology of the very plain man says that genius is mad and between these extremes, which stand for ten thousand analogous excesses, the sovereign reason takes the part of a moderator and does what it can. I do not think that there is a pathology of the occult dedications, but about their extravagances no one can question, and it is not less difficult than thankless to act as a moderator regarding them. Moreover, the pathology, if it existed, would probably be an empiricism rather than a diagnosis, and would offer no criterion. Now, occultism is not like mystic faculty, and it very seldom works in harmony either with business aptitude in the things of ordinary life or with a knowledge of the canons of evidence in its own sphere. I know that for the high art of ribaldry there are few things more dull than the criticism which maintains that a thesis is untrue, and cannot understand that it is decorative. I know also...
While this book will deal extensively with the concepts embodied in the cards and their symbolism it will also look carefully at the application of these concepts to Tarot readings. Many writers, notably Waite, have denigrated divination as a degenerate use of the cards. But the proper use of readings can greatly increase our awareness of the cards' meanings. It is one thing to study the symbolism of a particular card, it is something else to see that card in combination with others. Many times I have seen specific readings open up important meanings that would not have emerged in any other way.
The precise origin and intention of the Sepher Yetzirah is a matter of speculation. One writer of the early nineteen hundreds, with all good intentions, even suggested that this mystical text was no more than a book of grammar and as the earliest Hebrew grammar contains not only the fundamental rules of Hebrew orthography, but also an account of the origin of letters and numerals. 27 Of course, this theory is not to be taken seriously, but it does demonstrate the extremes of interpretation to which Qabalistic documents have been subjected. On the other hand, The Sepher Yetzirah is a very difficult and obtuse work, so abstract that it demands an approach atypical of that taken to most literature. And, when used in concert with the Tarot, the work becomes remarkably comprehensible.
The question of purposeful deception about the origins of many esoteric manuscripts is a serious and difficult one, usually judiciously avoided by writers on the occult who wish to cast their beliefs in the most positive light. But the tally of literature for which antiquity is falsely claimed is so great that the very consistency of such claims becomes intriguing The Zohar, purported to be the work of a rabbi in the early Christian period, yet actually by a thirteenth century writer whose claim of antiquity for it gave the books greater importance.
As to results, whatever these may have been in terms of objective realities at various levels, or upon the consciousness of other participants, it certainly, together with the path working already described, which was performed at the same weekend, had a powerful and unexpected effect upon the present writer who was the principal celebrant. This was a creative impulse of great and sustained intensity part of the results of which are to be found in the following section of this book, a set of extended workings based upon the Tarot archetypes, which came through over the course of a period of three weeks.
We have chosen from amongst the authors who have studied this question of first principles, two writers who, starting from different points of view, support the conclusions of the Tarot Lacuria and Wronski. This eminent writer, in his book on the Harmonies of the Being expressed by Numbers, starts in his deductions from the three words used by St. John Vita, Verbum, Lux. He analyzes each of these words, establishes the connection that exists between it and the Christian Trinity, and defines each of the elements in this trinity--
They belong respectively to the end of the seventeenth and sixteenth centuries. As I am not drawing here on the font of imagination to refresh that of fact and experience, I do not suggest that the Tarot set the example of expressing Secret Doctrine in pictures and that it was followed by Hermetic writers but it is noticeable that it is perhaps the earliest example of this art. It is also the most catholic, because it is not, by attribution or otherwise, a derivative of any one school or literature of occultism it is not of Alchemy or Kabalism or Astrology or Ceremonial Magic but, That combination may, ex hypothesi, reside in the numbered sequence of its series or in their fortuitous assemblage by shuffling, cutting and dealing, as in ordinary games of chance played with cards. Two writers have adopted the first view without prejudice to the second, and I shall do well, perhaps, to dispose at once of what they have said. Mr. MacGregor Mathers, who once published a pamphlet on the...
I have therefore decided to approach this delicate question, and I hope that the pleasure gained by the fair inquirers will balance the scepticism of sterner intellects. It is true that I can quote the opinion of all the writers of antiquity, who assert that the Egyptians used the Tarot as a means of predicting the future, and that the Jews also employed it to confirm their prophecies. But in my opinion an important distinction should be made on this subject.
Europe to serve as a point of departure, whether backward or forward. Now it is well known that in the year 1393 the painter Charles Gringonneur--who for no reason that I can trace has been termed an occultist and kabalist by one indifferent English writer--designed and illuminated some kind of cards for the diversion of Charles VI of France when he was in mental ill-health, and the question arises whether anything can be ascertained of their nature. The only available answer is that at Paris, in the Biblioth que du Roi, there are seventeen cards drawn and illuminated on paper. They are very beautiful, antique and priceless the figures have a background of gold, and are framed in a silver border but they are accompanied by no inscription and no number. It is difficult to consult perfect examples of the sets enumerated above, but it is not difficult to meet with detailed and illustrated descriptions-- I should add, provided always that the writer is not an occultist, for accounts...
Above I wrote that 1 chose the Rider pack as my 'primary' source. Most books on the Tarot use one deck alone for illustrations. This self-limitation perhaps stems from a desire to represent the 'true' Tarot. By choosing one deck and not another we are really declaring that one is correct and the other is false. Such a declaration matters most to those writers, like Aleister Crowley or Paul Foster Case, who consider the Tarot a symbolic system of objective knowledge. This book, however, looks upon the cards more as an archetype of experience. Seen that way no deck is right or wrong, but is simply a
We see many accounts of the 'descent of the spirit' in the Bible, in other religious texts and in contemporary religious experience. People 'speak in tongues' in Pentecostal churches, they scream and shout and roll on the floor at Gospel meetings. The priest giving communion sees himself as a 'vessel' or channel for the Holy Ghost. But we can see this experience in much simpler, non-religious, terms as well. People tremble with excitement at sporting events. 'I'm so excited I could burst ' In a new love affair or at the start of a new career, we feel a power filling us. You can sometimes see people at the opening of some important phase of their lives, tapping their legs up and down, half bouncing in their seats, filled with some energy they cannot seem to discharge. And writers and artists, when their work is going well, will experience themselves as almost passive channels for a spirit-like force. The word 'inspiration' originally meant 'filled with a holy breath', and derives from...
Download Instructions for Get Paid To Write Online
To be honest there is no free download for Get Paid To Write Online. You have to pay for it, just as you have to pay for a car, or for a pair of shoes, or to have your house painted.